When

27 Feb - 02 Mar

Access

Venue & access info here

Tickets

Adult
A Res $129 | B Res $109
Festival Friends
A Res $110 | B Res $93
Concession*
A Res $103 | B Res $87
Under 40**
A Res $40 | B Res $40
Full-time student^
A Res $65 | B Res $55

Transaction fees apply
* Pensioner, Health Care Card holder, MEAA/Actors’ Equity member. NOTE: Commonwealth Senior Health and Seniors Cards are ineligible for concession
** Limited capacity, ID required
^ ID required

Times

Fri 27 Feb 7pm
Sat 28 Feb 8pm
Sun 1 Mar 5pm
Mon 2 Mar 6:30pm

Duration

2hrs, no interval

Warnings

Contains nudity, sexual content and simulated sexual violence.

Note

Performed in German with English subtitles.

Recommended for audiences 17+

 

One of the world’s most provocative and influential directors, Thomas Ostermeier (Qui a tué mon père [Who killed my father], 2024 and Richard III, 2017) returns to Adelaide Festival with a searing production of Édouard Louis’ autobiographical novel.

At 4am in the Place de la République in Paris, while returning home from a Christmas dinner, Édouard meets Reda, a charming and seductive stranger in the street. They get talking, start to flirt and soon Édouard is taking him back to his apartment.

Through the fractured recall of Édouard, his sister, the police and doctors, History of Violence reconstructs this desire-filled encounter, turned violent.

A layered retelling that is both devastating and funny, History of Violence explores race, queerness and rage unbridled, until all that remains is a nuanced, closely guarded memory.

Shocking and compelling… the performances are meticulous


The Daily Beast

 

Director Thomas Ostermeier
Collaboration Director David Stöhr
Set and Costume Design Nina Wetzel
Composer Nils Ostendorf
Video Sébastien Dupouey
Dramaturg Florian Borchmeyer
Lighting Designer Michael Wetzel
Collaboration Choreography Johanna Lemke

With Christoph Gawenda, Laurenz Laufenberg, Renato Schuch, Alina Stiegler

Musician Thomas Witte

Images Arno Declair

 

Principal Donor - Hill Warner Foundation

Coproduction with Théâtre de la Ville Paris, Théâtre National Wallonie-Bruxelles and St. Ann’s Warehouse Brooklyn.
Supported by LOTTO-Stiftung Berlin

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