28 Feb
Venue & access info here
Transaction fees apply
Additional fees apply for SMS ticket delivery
Sat 28 Feb 3pm
10hrs
Contains theatrical smoke and haze and loud sound levels.
A new day invites us back to our earthly selves, completing Tryp with a restorative blend of deep listening, heavenly hymnals, IDM and mystic folksong on the banks of Karrawirra Parri. Drift through hazy afternoon ambience into the evening’s ecstatic electronica; from the wine-soaked sounds of Wilson Tanner to james K’s downtempo dream pop. A festival tonic for the thinkers, the dreamers and the groovers.
A version of james K was born. Comprised of bones, reactive metals and a larynx with freckled eyes that catalyzes that mix, she can now see through all the schemes. This is the truth. When she chews gum, it’s not clear which one of her personas does it. Since their first release in 2013, describing them separately is grunt work as they switch places, cosplay each other and would most likely lull you into a lonesome dream. Together, they know how to produce, sound, film and edit. Thus, they are brought to the table, performing and DJing in clubs and theaters, along composers and children alike. She has performed in festivals and venues such as Dekmantel, Sustain Release, Mutek, iii Points, and Nowadays.. In recent years she has shared the stage with james Ferraro, Robert Aiki Aubrey Lowe, Yves Tumor, Morton Subotnick, Nick Leon, and Priori, among many others.
Lyra Pramuk, an American multidisciplinary artist based in Berlin, has conceived a unique form of devotional music that harmonizes the open-ended potential of the human voice with the magic of technology as it rapidly evolves. Following the success of her last album Fountain, Pramuk’s expansive new release, Hymnal, is her own book of transformational worship songs, drawing from folk, house, techno, gospel, and her formal classical education to construct a symphonic universe.
DJ /rupture (Jace Clayton) is a musical nomad whose practice spans continents, genres and sonic cultures. He first made waves with the genre-melting Gold Teeth Thief mix in 2001, layering hip-hop, Middle Eastern tones, dancehall, IDM and more into a single electrified narrative. Since then, his work has consistently blurred boundaries, inviting listeners into global soundscapes where rhythm, resonance and radical listening rule.
Maryam Rahmani is an Iranian-born santur player now based in Adelaide. Her music draws deeply from Persian classical traditions and poetry, enriched by her studies in traditional instruments and rhythmic structures. Since moving to Australia, Maryam has expanded her practice through cross-genre collaborations, performing with ensembles such as the Adelaide Symphony Orchestra and an Adelaide Baroque ensemble.
D-Grade is a DJ and organiser based on Gadigal land. They often present ‘serious’ music with cheek, quirk and unpredictability and love to playfully toy at the margins between ‘mind’ and ‘body’ music. D-Grade enjoys frenetic, hypnotic, bossy and beautiful sounds.
Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.
Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.
A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.
Romi is a Lebanese-Australian DJ based in Tarntanya, Her musical selections draw inspiration from the over-arching mood of the world, her culture and the chaos that unfolds around us. She holds a deep love for the brooding, left-field, melancholic and hypnotic sounds, that evoke strong emotions from within and force us to connect with ourselves.
